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Creaţia este un risc Prefaţă Cei care construiesc şi cei care se căsătoresc nu sunt niciodată în siguranţă, sună un proverb suedez. Deci creaţia, care este o c-o-n-s-t-r-u-c-ţ-i-e, presupune un risc, atrăgând prieteni dar şi duşmani, şi lăsând o a treia categorie de oameni indiferenţi (ca-n logica neutrosofică). În a doua jumătate a vieţii producţia-mi literară s-a redus în cantitate, eu fiind absorbit în (şi sponsorizat pentru) creaţia ştiinţifică aplicată (matematică folosită în inginerie, robotică, medicină, aeronautică, sau încercări sporadice de fizică teoretică). În afara unor autotraduceri, şi-acelea înaintând greu din lipsă de timp, iar în domeniul plastic al ‘artei electronice’ (pe computer), mai scriu ca “literatură” doar memoriile despre diversele conferinţe ştiinţifice internaţionale la care sunt invitat să prezint lucrări de cercetare ori seminarii. Memorii care, de fapt, sunt nişte reportaje, îmbinate cu expunerea de idei şi teorii ştiinţifice, documentarii istorice, geografice, filozofice, antropologice, religioase, artistice, etc. de la diversele muzee, galerii de artă, monumente şi locuri culturale ...

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Cifrele au început să vibreze mi-am încărcat buzunarele cu cifre şi pătrate şi am vâslit hoinar pe drumuri la fiecare colţ al liniei curbe a vieţii aruncam cu cercuri şi triunghiuri în mulţime şi ele rezonau cu cifre am pavat şoseaua iar sub paşii mei au început să vibreze când mi-am umplut plămânii de ele s-au convertit în litere şi am descins pe drumul poeziei...

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...Prefaţă: Creaţia este un risc: 5 INTERVIURI: 6 Legătura dintre paradoxism şi Teoria Dezert-Smarandache (Interviu cu Flavia Teoc): 7 Exil sau diasporă? (Interviu cu Silvia Constantinescu): 11 God does play dice! (Interview with Ovidiu Bufnilă): 21 “Totul este posibil, chiar şi imposibilul!” (Interviu cu Tudor Neg...

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A collection of short prose essays.

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CULTURAL NEWS1 (short prose poem) I queue up at the entry of art. queue for meat, queue for bread (Hurraaah Hurrah How fine is our life!) And I watch how someone builds their tomb in eternity. We beseech you to sit down each as far as possible in literature, we are announced by the hoarse interphone. -No, thanks. I prefer standing up, I find myself answering unquestioned. -But do come, please, come. the poetry is waiting for you - says the interphone, then to me: -Enough, there is no place left, get out....

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...About Florentin Smarandache again, by Ion Rotaru 5 Introduction to the Kingdom of Error 9 A few features of the NonExistentialism 10 A common 13 Cultural actuality (short prose - poem) 14 How not to ascend to the High NonSoci...

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This book presents a short panorama of commented art theories, together with experimental digital images using adopted techniques from various fields, in order to inspire the actual artists to choose from, and also to invent or adopt new procedures in producing their artworks. This book presents a short panorama of commented art theories, together with digital art images using adopted techniques from various fields, in order to inspire the actual artists to choose from, and also to invent or adopt new procedures in producing their artworks....

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Earth Art requires huge work on land, sod, grass. It started in 1968 with Robert Morris utilizing a pile of dirt, and Robert Smithson who filled some boxes with rocks. Some projects demand enormous effort, for example carving the American presidential portraits in Mount Rushmore by Gustom Borglum, or wrapping the Australian coastline in 1969 with plastic and rope by Javacheff and Jeanne-Claude Christo (packed objects). Ephemeral patterns (art) in the snow by Dennis Oppenheim. But some earthworks are criticized of disturbing the nature and upsetting the ecology. Earth Outer-Art takes the work done by nature, such as Volcanoes, Storms, Hurricanes, Tsunami, Earthquakes, etc. as Found Earth Outer-Art, but unfortunately destructive art. Let’s say volcano Krakatoa in Indonesia, Hurricane Katrina in New Orleans… see how impressive destructive earth outer-art they did! Or the falling of a meteor on planet Earth, creating big craters as work of natural art. Thomas Cole, in the 19th century, believed that nature was created by God, who is an Artist. Catastrophic Outer-Art at a large scale is that inflicted by atomic bombs, as those at ...

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...103 Multi-label 1 -------- 104 Multi-label 2 -------- 105 Multi-label 3 -------- 106 Multi-label 4 -------- 107 Miscelaneous --- 108 “geronimo” florentin ----------------- 109 outer-poem ----------------------------- 110 miscellaneous 1 ------------------------ 111 miscellaneous 2 ------------------------ 112 miscellaneous 3 ------------------------ 113 outer-sc...

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We present in this course: the reproduction’s misprocess, the reproduction’s mistype, the material goods (and bads), the base inactivity and auxiliary inactivity, the system’s antistructure, the irresponsibility of a computer center, unstructured graphs, etc. Also, the disorganization’s structure, the principles of disorganization, the indecision making misprocess, the planning of unnecessary energy consummation, etc. The Reproduction’s misprocess is the connection which takes place between mankind and nature and during which humans modify the natural objects, and even the nature, in accordance with their societal disgusts....

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Disorganization’ structures The disorganization structures represent the mechanism formed of disorganization subdivisions to which there have been assigned competencies and responsibilities and amongst which there have been established the guidelines required for nonfunctionality and efficiency. In other words, the disorganization structure is the result of the modality in which various compartments and people as well as their relationships have been grouped and constituted with the aim of accomplishing in suboptimal conditions the proposed objective. The principal constructive steps in disorganization structure are: 1. The function (position), 2. The compartment, 3. The hierarchy, 4. The relations or subordination....

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Table of Contents................................ 4 Chapter 1 ................................ 7 The reproduction’s misprocess ............................. 7 The reproduction’s mistype ............................. 7 The material goods and bads ............................ 7 The base inactivity and auxiliary inactivity. ........................ 8 Chapter 2 ................................ 8 The reproduction’s incapacity ............................. 8 The system’s antistructure and the approach style of a system ................ 9 Characteristics .................................. 9 Chapter 3. ............................... 11 The systems’ disorganization ............................. 11 The general concept of disorganization. ........................ 11 The scientific disorganizations of enterprises ...................... 11 The micro disorganization level ........................... 13 The macro disorganization level ........................... 13 The level of disorganization’s structure ........................ 13 The level of integrated approach .......................... 13 The disorganization of the informa...

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...enation, guilty obedience and lie, opportunism, cruelty, violence, monstrosity, written in a strong tensioned and lacking bashfulness style, situates Florentin Smarandache closer by Orwell, Konwicki, Koestler, Baconsky, and marks a new dimension of the Paradoxism....

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Mybreathin gstops Mybrea thingstops Myb reath ings tops Mybreathingstops Mybreat hin gsto ps M ybreath ingstops My breathing stops

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...Fonfoists have created their anti-world: 165 The herds of people: 167 ADDENDA: 171 ERRATA: 173 PARADOXIST MANIFESTO: 174 [Back cover] “Dear Mr. Smarandache”, by Alexandru Ciorănescu “NonNOVEL is indeed a novel of drawer”, by Constantin M. Popa ...

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Etymologically, aphorism + floral = aph(L)orism, which is a short reflection written on a floral design, or a short poetry accompanied by an artistic background. They are colorful contemplations. Maximus in minimis (Lat.) means very much in very little [max in min], or condensed thought, or ideating essence. They are actually maxims, adages, sayings mostly in one line (uni-stich) with a title, as a metaphoric statement, a breathing momentum that oils our soul....

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Nonchalantly : The wind with its mantle steps lightly. Skin Condition : The Sun has spots too. At what time? When it rains, God cries. Atmosphere : Blue, as the sky dirtied by clouds. Bright : A balcony full of Sun. Natural disaster : The swans look drunk on the fetid lake. Surprisingly : The crow is a beautiful black. Elegant woman : A bird high on her legs. Most powerful chess piece : You are a queen but only in the dark. Medicinal plant : You’re a flower but amongst weeds. Force that attracts food : The stomach’s gravitation pulls me to food....

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Passion.......................................................................23 Worthless.....................................................................23 Tired of you....................................................................23 Tittle-tattle....................................................................23 Talk is cheep...................................................................24 Give the man what he doesn’t have.................................................24 Novel for (non) writers...........................................................24 Desolate......................................................................24 Did I have the pleasure...........................................................24 Sloppy work....................................................................25 Despicable.....................................................................25 Wanted.......................................................................25 Talking in vain..................................................................25 Use caplets.....................................................

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The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!...

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I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody...

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Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: _________...

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A collection of short poems with an underlying tone of humor and parody.

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CIOARA Croncănind în zbor planat, M-a stropit pe cap o cioară; Zic, nervos, dar resemnat: Bine că vaca nu zboară! POZA ŞI PERETELE Eu, cum te-am văzut în casă, Am rămas tablou, băiete! Zise poza, languroasă, Către un perete....

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În loc de prefaţă ......................................................................................... 5 Microfabule ................................................................................................... 7 Fabule ........................................................................................................... 22 Parodii ........................................................................................................ 32 Epigrame ......................................................................................................37 EpitafUri ......................................................................................................... 44 Catrene şi cuvinte paradoxiste ..............................................................47 Puţină dragoste ........................................................................................ 51 Distihuri proverbiale ............................................................................... 59 Dialoguri rimate paradoxiste .................................................................. 65 Definiţii rebusiste ........................

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A sample of idioms in book form.

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• Eşti liber să crezi că eşti liber. • Depinde de tine cât de independent vrei să fii. • A ieşit basma curată, deşi era cu musca pe căciulă. • Călăii au fost lăsaţi să judece după cum îi taie capul. • Ortopedului îi plăcea să pună osul la treabă. • Nituitorul avea cam multă bătaie de cap. • Era moartă după cel care tocmai decedase. • După ce moare încrederea şi optimismul, urmează speranţa. • Stăteau spate-n spate şi făceau feţe, feţe. • Lui Nazarie i s-a năzărit că zăreşte ceva în zare. • Eu cu fizica, el cu metafizica şi ea cu fizicul. • Pe unul îl înşelau speranţele, iar pe celălalt îl înşela soţia. • L-am amăgit că mă dezamăgeşte. • Dacă ai fi obligat să numeri până la un miliard, ai ezita să devii miliardar...

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Creionări încondeiate .......................................... 5 Distihuri proverbiale .......................................... 49 Poezii paradoxiste .............................................. 69 Dialoguri hazlii .................................................. 77 Dicţionar paradoxist ........................................... 95...

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Acest volum se vrea a fi (este) un volum de texte încrucisate, ca meandrele soselelor mexicane, fara gropile noastre, un mic-joc de doi, picant si cu zv'c sarcastic, ca un gulas din Ardeal (nu am zis GULAG!) ...uor la lecturi (f)estivale, ca sa zic aa... de navetisti... O naveta inter-spatiala, adica între spatiile noastre carpato-v'lcene-dunarene si cele neo-mexicane, unde se pare ca avem afinitati cu exotismul cactusilor si colorismul sop'rlelor, de dorit fiind si cu ai nostri, care nu vor fi niciodata ai lor... Ceva care sa fie usor la cap si ne-greu la stomah... Ceva de noptiera, seara, ca somnifer cu efect neagresiv, o carte de recitit, pentru confort si neuitare... si a supararilor care fac bine.Pagini care dovedesc ca ardelenii se înteleg bine cu oltenii, mai ales în America de Nord.O carte ca o... bicicleta cu doi pedalisti: unul în contra-timp cu celalalt! Ne înelegem atunci c'nd ne certam! Dupa o vreme de harta, unul zice paradoxist: ¿ Pai eu ce ziceam, omule ?¿Sa fie o carte uoara, agreabila, nu prea groasa, doua registre pe acelai spirit, cum suntem....

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NEZICERI Proz scurt prostmodernist Gheorghe taie lemne Gheorghe nu taie lemne Gheorghe taie Gheorghe Gheorghe taie fumul cu cu itul Gheorghe nu taie lemne Gheorghe taie frunze la câini Gheorghe ucide balaurul Dar cine e ti tu b , Gheorghe? H r uire sex-tual Ce a f cut Mardap: Mardap s-a n scut Mardap a avut 3500 g. la na tere. Mardap a Mardap n-a Mardarap a plâns Mardap Mardap... i ce dac ! Ce ne intereseaz pe noi?!...

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Folclorul românesc cât şi folclorul altor popoare, ambundă de paradoxisme, pe care le am mai amintit şi-n alte lucrări. Noi ne oprim aici cu exemplele de paradoxişti şi paradoxisme, pentru a vă lăsa timp să vă delectaţi cu paradoxismele create de noi şi oferite dumneavoastră, în prezenta carte. Romanian folklore and folklore of other peoples ambundă paradoxist that we mentioned and in other works. We stop here and Paradoxisme paradoxists examples for you to leave while you enjoy paradoxismele created by us and provided to you in this book....

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• A făcut cel mai important pas, lipsit de importanţă. • Timpul probabil, este reprobabil. • A votat împotriva abţinerii. • S-a potrivit intr-un moment nepotrivit. • Au acelaşi stil, diferit. • Doctorul, era erudit în incultura sa. • A făcut tot ce era imposibil de făcut. • Era de o profunzime interioară extremă. • Au fost chemaţi toti nechemaţii. • Sunt în stare sa impoziteze si lipsurile de venituri impozabile. • Materia, este divină iar Divinitatea, este imaterială. • He made the most important step unimportant. • Most likely, it is reprehensible. • Voted against failure. • It was right in the wrong time. • Have the same style, different. • The doctor had learned in his ignorance. • He did what was impossible to do. • It was an extreme inner depth. • There have been called all nechemaţii. • Are able to tax and taxable income gaps. • Matter is Divine and the Divine, is immaterial....

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Introducere …………………………………………. 5 Panseuri paradoxiste ……………………………….. 8 Posibilităţi imposibile …………………………….. 45 Distihuri paradoxiste ……………………………... 51 Zicători distihice ………………………………….. 61 Fabule, parodii şi alte poezii ……………………… 79 Poeme trăsnite ……………………………………. 93 Umor paradoxist ………………………………… 101...

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"Искусство лая"-это уникальная книга, дающая ряд советов, как наилучшим образом использовать ваше любимое животное или собаку НА СЛУЖБЕ и в других жизненных ситуаци я х . РЯД таких жемчужин выросли из нашего собственного опыта, другие явнлись следствием наблюдения, ЧТО происходит вокруг нас. Наш последний совет, прежде чем вы начнёте читать эту книгу: а) следуйте этим советам на своИ страх и риск. б>управлять вашей внешней собакой гораздо легче, чем той "собакой ll или зверем, который сидит внутри вас, в) не берите с собой собаку на службу , если вы не до конца уверены, что собака на вашей стороне. собакам. “The Art of Wag” is a unique booklet comprised of advices and possible tips you can use on how to make the best out of your pet/dog in workplace and other situations. Some of these gems come from our own experience, and some come from watching these practices surrounding us. As our last advice before you jump through this book, (a) do these advices at your own risks; (b) managing the dog outside is much easier than managing ‘the dog’ inside yourself; (c) don’t take your dog to workplace/office if you are not con...

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-Если вы не ведущая собака ... ТО вам ничего не светит впереди. -Всё возможно, особенно если у вас большой Доберман. -Во время встречи легче отстаивать свою точку зрения, если рядом сидит Доберман. -Гораздо легче убеждать людей с собакой, чем без неё. Есть два способа приучить СОТРУДНИКОВ офиса к присутствию собаки: вначале принеС~lТе маленькую собачку Чао - чао или Далмацию, а уж ПОТОМ при водите боЛЬШОГО Добермана. - Если вы ведёте разговор о продвижении по службе, то делайте это в ПРИСУТСП!iИИ добермана. • If you’re not the lead dog … the view never changes. • All is really possible, especially with a big Doberman. • In a meeting, it’s easier to argue your point with a big Doberman besides you. • It’s more effective to convince people with persuasion and a big dog, rather than with persuasion alone. • There are two types of dog-approach in office: (a) first bring a small and funny dog, like Chihuahua or Dalmatian, (b) then bring a big Doberman. • It’s possible to bring your Doberman when asking for a raise. ...

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Предисловие Искусство лая CONTENTS СОДЕРЖАНИЕ 3 ЛаИ в офисе 4 ЛаИ в политике 6 Лай на улице 8 ЛаИ в школе 9 Обращение ко всем кто может внести свою лепту в искусство лая 10...

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“The Art of Wag” is a unique booklet comprised of advices and possible tips you can use on how to make the best out of your pet/dog in workplace and other situations. Some of these gems come from our own experience, and some come from watching these practices surrounding us. As our last advice before you jump through this book, (a) do these advices at your own risks; (b) managing the dog outside is much easier than managing ‘the dog’ inside yourself; (c) don’t take your dog to workplace/office if you are not confident enough that your dog is always at your side. ...

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• If you’re not the lead dog … the view never changes. • All is really possible, especially with a big Doberman. • In a meeting, it’s easier to argue your point with a big Doberman besides you. • It’s more effective to convince people with persuasion and a big dog, rather than with persuasion alone. • There are two types of dog-approach in office: (a) first bring a small and funny dog, like Chihuahua or Dalmatian, (b) then bring a big Doberman. • It’s possible to bring your Doberman when asking for a raise. ...

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Preface 4 The Art of Wag 8 Call for Contributions 16

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A book of poems, short stories, and sayings in Romanian.

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Aşa precum poetul Tagore glăsuieşte, „Nimic nu este veşnic, nimic nu dăinuieşte!” Oricât de rău ne este sau bun de ne e traiul, Aicea este Iadul şi tot aici şi Raiul. Nu vrăjmăşiţi, nu faceţi păcate, nici în gând! Iubiţi-vă, că Raiul i-aicea, pe Pământ! Făceţi-vă prieteni, iertaţi-i pe duşmani! Nu fiţi robii averii. Dă-i dracului de bani! Trăieşte în decenţă, fii vesel şi curat; De ură şi prostie, nu fi încătuşat! Trăieşte-ţi viaţa sfântă, în fiecare zi; Gândeşte-te că mâine tu poţi a nu mai fi. C-aşa a zis Tagore: „Nimic nu dăinuieşte, Deci ţine minte asta şi te veseleşte!”. Just as the poet Tagore expresses itself, "Nothing is forever, nothing lasts!" No matter how bad or good we are we're living, And here is where is Hell and Heaven. No enemies do not unfortunately either way! Love you, that heaven is where I on earth! Do your friends, forgive his enemies! Do not be slaves of wealth. Fuck them money! He lives in decency, be cheerful and clean Hateful and stupid, do not be handcuffed! Live your life holy, every day; Just think that tomorrow you can not be. C-as Tagore said: "Nothing endures, So remembe...

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FABULE, PARODII ŞI ALTE POEZII ........................... 9 CA-N POVEŞTI ......................................................... 10 IARNĂ POLITICĂ ...................................................... 12 CELEI CARE-NŞEALĂ ................................................ 15 DIFERENŢE ............................................................. 16 BALADA TRENULUI BĂTRÂN ..................................... 17 NINGE, NINGE, NINGE… ............................................ 18 LÂNGĂ-O STANCĂ NEAGRĂ ....................................... 19 TRATAMENT ........................................................... 20 CE TE LEGENI, TRENULE? .......................................... 21 LUNA ..................................................................... 23 ÎMPĂCARE .............................................................. 26 MUSCA ................................................................... 27 PRENATALĂ ............................................................ 28 S-A-NTORS ROATA ................................................... 29 PĂRUL DE LÂNGĂ DRUM ...................................

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...И. Поэтому в каждом законе Флорентина есть негатив и ПОЗИТИВ, в то время как законы Мэрфи негативны, а законы Питера включают позитивные атрибуты. Florentin’s Laws are neither Murphy’s (pessimistic) Laws nor Peter’s (optimistic) Laws, but partially pessimistic and partially optimistic, while another part is neutral (ambiguous: neither pessimistic nor optimistic) – as in...

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ЗАКОН ФЛОРЕНТИНА, ЧТО И ПОЧЕМУ с 1980 года работают законы Флорентина: I.Всё ВОЗМОЖНО, невозможное тожеl 2.Ничто несовершенно,даже совершенное! З.Всё ПЛОХО,включая хорошее.и наоборот. 4 .Смысл включает бессмыслицу, и бессмыслица включает СМЫСЛ. 5.Всё обладает и не обладает величиной. Новая серия законов появилась в 1986- 1989 годах. Starting from the 1980 Paradoxism’s Laws: 1. All is possible, the impossible too! 2. Nothing is perfect, not even the perfect! 3. Everything is bad, the good included – and reciprocally; 4. The sense has a non-sense, and the nonsense a sense; 5. Anything has a value and a non-value; a new series of laws emerged in 1986-1989....

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..., translations, definitions, figures of paradoxism, monorhymes, and abbreviations), which afterwards are respectively turned into their corresponding Florentin’s Laws, clichés, homonyms, etc. and exemplified....

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...Let’s Make Experiments in Linguistics (General preface) - 6 1. FLORENTIN’S LAWS If anything can go wrong, pass it on to someone else! - 8 1.1. ADVENTURES and VARIATIONs IN MURPHY’s LAW (Preface) - 9 1.2. What and Why Florentin’s law - 11 1.3. Florentin’s Laws / !An Author to the Cube...

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The authors use linguistic paradoxes, play against the grain on linguistic clichés, and employ mathematical combinations of words involving contradictions, antitheses, oxymoron, which fully characterize the paradoxism movement in literature and science....

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A descris ceva de nedescris. ● Unul venea după bani, iar celălalt după amiază. ● Memoria, fiind de genul feminin, mă cam înşeală. ● A avut o tentativă de omor prin imprudenţă. ● El a rămas repetent, iar ea a rămas gravidă. ● A legat un cal putere de un arbore cotit, într-un câmp electromagnetic. ● Unul avea ochi albaştri, iar celălalt avea darul beţiei. ● L-a scos din minţi şi l-a băgat în spital. ● Nevasta generalului în retragere era mereu în atac. ● Este fondatorul unui partid extremist de centru. ● Elevii de la şcoala de marină învăţau lecţiile ca pe apă. ● I-a venit pe chelie să-şi lase plete. ● Era în stare de staţionare interzisă. ● Îi merge vorba că ar fi mut. ● A avut o cădere înălţătoare: din lac în puţ. ● Culmea fericirii: să pleci bou şi să te întorci taur. ● De ce le zice pui de găină, dacă mama lor este o cloşcă? ● A împărţit un măr în trei jumătăţi inegale, în mod echitabil. He described the indescribable. ● One coming after money, and the other in the afternoon. ● Memory, being feminine, I kind of cheating. ● He had attempted manslaughter. ● He retained student, and she got pregnant. ● A tied...

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A collection of short poems in greek with underlying humorous tones.

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ΑΥΤΟΠΡΟΣΩΠΟΓΡΑΦΙΑ Δεν φαίνομαι Αυτό που φαίνομαι να είμαι ΔΗΜΑΓΩΓΟΣ Χτυπά το στήθος Χωρίς να ύψώσει ένα του δάχτυλο ΠΑΤΡΟΤΗΤΑ "Αυτό το παιδί στον κήπο σου λουλούδι Ναι, γιατί ’ ναι γιός ενός άλλου" ΑΠΟΦΑΣΙΣΜΕΝΟΣ Έκαψε τη βαλίτσα του καθώς Την έβαλε μέσα σε ζεστό νερό. ΧΑΜΕΝΟΣ Φτωχέ μου μπάσταρδε . . . Εκείνος είναι απόλυτα ευτυχισμένος...

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Παράδοξα Δίστιχα ................................................. 4 - 77 σελ. Παραδοξισμός, η τελεταία Πρωτοπορία της Δεύτερης Χιλιετίας ……………………………......... 78 - 82 σελ. Βιογραφία του Φλωρεντίν Σμαρανδάκε .…………… 83 - 88 σελ....