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Liberty Records


Liberty Records

Liberty Records
Parent company
Founded 1955
Founder Simon Waronker
Distributor(s) EMI (In the UK)
Genre Various
Country of origin US, UK (re-establishment)
Official website .com.universalmusicwww

Liberty Records was a United States-based record label. It was started by chairman Simon Waronker in 1955 with Al Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals.


  • History 1
    • 1950s 1.1
    • 1960s and 1970s 1.2
    • 1980s and 1990s 1.3
    • Liberty Records in the 2000s in the United Kingdom 1.4
  • Liberty Records artists 2
  • See also 3
  • References 4
  • External links 5



Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs."[1][2] Its first big hit, in 1955, was by Julie London singing her version of the torch song, "Cry Me a River", which climbed to #9 in the Billboard Hot 100.[3] It helped Liberty sell her first album, Julie Is Her Name. She was to record 32 albums in her career.

In 1956, Liberty signed the little-known Henry Mancini. They released two singles and several albums for him, but he left in 1959 when he gained in popularity. Billy Rose and Lee David's song, "Tonight You Belong to Me", scored a number 4 (US) and number 28 (UK) as performed by teen sisters Patience and Prudence (McIntyre), selling over a million copies.[4][5] (It was first recorded in 1927, revived by Frankie Laine in 1952.)

Their biggest early rock and roll artist was Eddie Cochran,[6] who had just starred in his second film, Untamed Youth. His first hit for the label was John D. Loudermilk's "Sittin' in the Balcony" in 1957, then came "Summertime Blues" and "C'mon Everybody".

The label was also home to R&B veterans Billy Ward and His Dominoes after Jackie Wilson quit, replacing him with ex-Lark Eugene Mumford.[7] They hit with Hoagy Carmichael's 1927 song, "Stardust" – already recorded by many artists – which rode the pop chart for 24 weeks and got to number 13 in the Hot 100. The track also reached number 13 in the UK Singles Chart in October 1957.[4] It was to be their only million seller.[5]

By 1958, Liberty was close to bankruptcy when singer-songwriter David Seville (Ross Bagdasarian, Sr.) convinced them that they might as well press singles of his novelty song "Witch Doctor" with the leftover vinyl pucks and labels in their warehouse. The song became a number 1 hit and rescued the company. Later that year, Bagdasarian combined multi-track recording with the double-speed technique he had used in "Witch Doctor" and introduced the Chipmunks, Alvin, Simon, and Theodore, in "The Chipmunk Song (Christmas Don't Be Late)". (The Chipmunks were named after Liberty execs Bennett, Waronker and Keep respectively.) In just a few months leading up to Christmas in 1958, the record shot to the top of the charts. It became the only Christmas record to reach number 1 on the pop chart, selling 4.5 million copies.[8] Liberty's immediate future was secured.

Another performer who contributed greatly to Liberty's success was pianist-bandleader Martin Denny, whose Polynesian-influenced lounge-jazz music established a genre known as "Exotica," after his first album for the label. Its success led to a long string of similar albums by Denny for Liberty over the next decade.

In 1957, Liberty acquired Pacific Jazz Records.[9] That same year, the World Pacific label was started in conjunction with Pacific Jazz.

In 1958, Liberty formed a sublabel called Freedom Records which lasted through 1959.[10]

In 1959, Liberty moved to its long time address at 6920 Sunset Boulevard in Hollywood.[11]

1960s and 1970s

Liberty's most successful signing of the early 1960s was Bobby Vee. They picked up his single recorded for Soma with his combo the Shadows, "Suzie Baby", and stuck with him as a solo act. He covered the Clovers' 1955 doo-wop ballad,[12] "Devil or Angel" in mid-1960 and later that year recorded Gene Pitney's "Rubber Ball" which made him an international star. In the summer of 1961 Vee had a big hit with " Take Good Care of My Baby", which peaked at number one (US) and number 3 (UK).[1][13] He regularly had Hot 100 hits until 1970.

Other major signings included Willie Nelson, Jan and Dean, Johnny Burnette, Gene McDaniels, Del Shannon, Gary Lewis and the Playboys, Timi Yuro, and Vikki Carr.

Liberty staff producer Snuff Garrett, in addition to producing hits for many of the stars listed above, also had great success with a series of instrumental easy listening albums credited to "The 50 Guitars of Tommy Garrett."

In 1963, the Liberty Records label was sold to Avnet (an electronics corporation) for $12 million. Avnet also bought Blue Note Records, Imperial Records, Dolton Records, Aladdin Records and Minit Records. After two years of losses, Avnet sold the labels back to Al Bennett for $8 million. In 1966, a reissue label, Sunset Records, was started to deal with previously issued records from the new labels.

Liberty recordings were first distributed in the UK by the Decca group on London Records, then by EMI on its new Liberty label. Liberty established a branch office in London, which signed acts such as the Bonzo Dog Band, Idle Race and the Aynsley Dunbar Retaliation. Liberty also signed the Searchers for a short time in 1968 and, in 1967, they issued the first single by Family. Ron Kass, onetime president of Liberty Records, later became the head of the Beatles' record label, Apple Records, and Ron Bledsoe, assistant to Al Bennett, was picked by Clive Davis to run the Nashville arm of Columbia Records.

In 1966, singer (and Imperial artist) Johnny Rivers started another Liberty subsidiary, Soul City Records. The following year, Liberty discontinued the Dolton label and moved its artists to the parent label. In 1967, Liberty Records signed Canned Heat who had three big hit singles for the label.

In 1968, Liberty was bought for $38 million by Transamerica Corporation (an insurance company) and combined with their other label United Artists Records. Two years later they shut down Imperial and Minit and transferred their artists to Liberty.

In 1970, Liberty act Sugarloaf scored a top 10 hit in the United States with "Green-Eyed Lady", which reached number 3 on the Billboard chart. Sugarloaf would score again in 1975 with "Don't Call Us, We'll Call You" (US number 9).

Finally in 1971, Liberty and its remaining labels (with the exception of Soul City of which the name was retained by its owner Johnny Rivers and its catalog sold to Bell Records and Blue Note Records) were shifted to United Artists Records and Liberty Records was no more.

In 1978, Artie Mogull and Jerry Rubinstein acquired United Artists Records and Liberty Records (with money they borrowed from Capitol Records, which ironically was originally going to be named Liberty Records before changing names prior to incorporation). In February 1979, Capitol's parent company EMI foreclosed on them and has owned the rights to the Liberty labels ever since. Capitol Records (now a unit of Universal Music Group) manages the Liberty catalog today.

1980s and 1990s

Liberty Records logo 1991-1995

In 1980, EMI dropped the United Artists name and revived the Liberty name.[14] Initially, EMI used Liberty to reissue the United Artists, Liberty and Imperial catalogues. From 1980 until 1984, Capitol used Liberty as a country music label, featuring such artists as Kenny Rogers and Dottie West and heavy metal band Manowar. In 1991, EMI renamed its Capitol Nashville label to Liberty Records, before returning to the Capitol Nashville name four years later.

In 1994, Liberty Records president Jimmy Bowen also founded a sister label to Liberty called Patriot Records, whose roster included Bryan Austin, Lisa Brokop, John Berry, Deana Carter, John Bunzow and Noah Gordon. Berry had previously been on Liberty, while the other acts were newly signed. After the label closed in 1995, Berry, Brokop and Carter transferred to Capitol Nashville.[15]

Liberty Records in the 2000s in the United Kingdom

After releasing many late-1990s Europop records like the Hermes House Band, EMI reformatted the label in 2001 to focus on 'heritage acts'. The label, now operating in a similar sphere to that of rival and one-time sister label Sanctuary, signed a number of acts, such as the Alarm MMVI, the Stranglers, British virtual/cartoon girl band VBirds and Prefab Sprout.

Liberty Records artists

See also


  1. ^ a b
  2. ^
  3. ^
  4. ^ a b
  5. ^ a b
  6. ^ Bobby Cochran, Susan VanHecke, Three steps to heaven: the Eddie Cochran story. Hal Leonard Corporation, 2003, p. 60ff. ISBN 0-634-03252-6
  7. ^
  8. ^
  9. ^
  10. ^
  11. ^
  12. ^
  13. ^
  14. ^
  15. ^

External links

  • The Liberty Records Story
  • "Liberty Records Industrial Film (ca. 1966)" on YouTube
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