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Excerpt: Jerusalem Delivered (Gerusalemme Liberata) by Torquato Tasso (first pub. Parma, Italy 1581), translated by Edward Fairfax (London 1600).

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Reuben Sachs is a London lawyer whose political aspirations do not include marriage to Judith Quixano, the daughter of a respectable but unexeptional family. But without Reuben, a woman like Judith might have a bleak future in mid-19th century England: a loveless marriage or lifelong dependancy are apparently her only options... A feminist, a Jew, and a lesbian, Amy Levy wrote about Anglo-Jewish cultural mores and the lives of would-be independent women in Victorian society. Levy was as repelled by contemporary literature's occasional paragon (e.g., Daniel Deronda) as by its more frequent anti-Semitic stereotypes. REUBEN SACHS was her attempt at an honest, warts-and-all account of middle class Jewish life in late-19th century London. While many of Levy's contemporaries condemned the book as a shanda fur die goyim (an embarassment), Oscar Wilde wrote: Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make REUBEN SACHS, in some sort, a classic. Amy Levy (1861-1889) was born in London and educated in Brighton and at Newnham College, Cambridge. Her social set incl...

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Fiction

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Siddhartha is one of the great philosophical novels. Profoundly insightful, it is also a beautifully written story that begins as Siddhartha, son of an Indian Brahman, leaves his family and begins a lifelong journey towards Enlightenment. On the way he faces the entire range of human experience and emotion: he lives with ascetics, meets Gotama the Buddha, learns the art of love from Kamala the courtesan, and is transformed by the simple philosophy of the ferryman Vasudeva whose wisdom comes not from learned teachings but from observing the River. Herman Hesse (1877-1962) was a German-Swiss novelist, poet, and painter. He was awarded the Nobel Prize in Literature in 1946. This recording contains a sound clip from http://freesound.iua.upf.edu/samplesViewSingle.php?id=15362 (Summary by Adrian Praetzellis)...

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Fiction

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Excerpt: War and Peace: Book Ten by Leo Tolstoy.

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A new, complete, downloadable, English translation, with hyper-linked in-depth name index, and comprehensive notes.

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Inferno: Cantos I-VII (Virgil, Circles I-IV, Paolo & Francesca, Ciacco) Cantos VIII-XIV (Circles V-VII, Farinata, Pier delle Vigne, Capaneus) Cantos XV-XXI (Brunetto Latini, Geryon, Circle VIII, Manto) Cantos XXII-XXVIII (Vanni Fucci, Ulysses, G. da Montefeltro, B. de Born) Cantos XXIX-XXXIV (Griffolino, The Giants, Circle IX, Ugolino, Satan) Purgatorio: Cantos I-VII (Casella, Manfred, La Pia, Buonconte, Sordello ) Cantos VIII-XIV (The Gate, Nino, Oderisi, Salvani, Sapia, G.del Duca) Cantos XV-XXI (Free Will, Nature of Love, Adrian, Hugh Capet,Statius) Cantos XXII-XXVIII (Forese, Bonagiunta, Souls, Guinicelli, Arnaut, Matilda) Cantos XXIX-XXXIII (The Divine Pageant, Beatrice, Lethe, Eunoë) Paradiso: Cantos I-VII (The Moon, Piccarda, Mercury, Justinian, Romeo) Cantos VIII-XIV (Venus, Cunizza, Folco, The Sun, Thomas Aquinas, Bonaventura, Dominic, Francis, Solomon, Mars) Cantos XV-XXI (Cacciaguida, Florence, Jupiter, The Eagle, Saturn, Peter Damian ) Cantos XXII-XXVIII (Benedict, Gabriel, Peter, Paul, James, John, Angels) Cantos XXIX-XXXIII (The Empyrean, The River, The Rose, Bernard, The Virgin, The Final Vision)...

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This small book, which is rather a draft, comprises a collection of ideas, viewpoints and methods in various aspects of theater, performance arts, non-novel1 etc. If for no other reason, the ideas listed here at least can stimulate further thoughts and research – for instance, young writers may use these ideas to make his/her drama or novel more enthralling....

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• The best functions of the theatre are none! (but the theatre itself); • Fatal attraction theatre; • A personage has a man’s mask taped on his bottom which faces the spectators and “talks” like this; • On a cross is crucified a book, or a lamb, or a pork, other object (crucified with the legs up) [which should symbolize something]; • On stage, place some cosmic objects (for example make visible a part of the Earth, or a Lunar Base, …); • Theatre for deaf and mute people (with their International Sign Language); • Theatre for blind people (only sounds); • The difference between the place where the play is performed and the place where, in fact, it should be played. (Specify in the play: winter instead of summer, in the mountains instead of at the Sea, for example – as in paradoxism) ...

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PREFACE ................................................ 3 CONTENTS................................................ 5 STRATEGIES 1. Theatrical Strategies ................................................. 6 2. Literary Strategies ................................................... 25 3. Non Roman................................................ 59 3.1. Total Anti-Roman................................................ 59 3.2. Experimental Literature...................................... 76 3.3. The Supreme, Total Roman............................... 79 4. More Literary Strategies .......................................... 97 ...

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Frederick Elliot is a student at early 20th century Cambridge, a university that seems like paradise to him, amongst bright if cynical companions, when he receives a visit from two friends, an engaged young woman, Agnes Pembroke, and her older brother, Herbert. The Pembrokes are Rickie’s only friends from home. An orphan who grew up living with cousins, he was sent to a public (boarding) school where he was shunned and bullied because of his lame foot, an inherited weakness, and frail body. Agnes, as it happens, is engaged to Gerald, now in the army, who was one of the sturdy youths who bullied Rickie at school. Rickie is not brilliant at argument, but he is intensely responsive to poetry and art, and is accepted within a circle of philosophical and intellectual fellow-students led by a brilliant but especially cynical aspiring philosopher, Stuart Ansell, who refuses, when he is introduced to her, even to acknowledge that Agnes exists. (from Wikipedia)...

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Literature

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“The Odyssey is not an adventure story. It is, rather, a book of wisdom that explains the art of humanity’s journey toward becoming artists of life and of the life of the universe. It tells the tale of a love story that is based on love as a decision and as a project. It is not a tale of love based on falling in love or, worse, on love as passion, which is so greatly celebrated in literature and in the public opinion, but which has never brought happiness to anyone and has, instead, brought great grief and tragedy. It is based on a love that needs sky and earth, cosmic and human forces to be realized; a love that must meet and fuse within the hearts of Ulysses and Penelope. It is a love based on truth and freedom, values that are conquered at a very high price, where life faces pain and death over and over again so they can be transformed into a new creation of immortal beauty, that once created can no longer die. This type of project for the couple, which strongly contrasts with the c...

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Excerpt: Advertisement. The story of ?Catherine,? which appeared in Fraser?s Magazine in 1839-40, was written by Mr. Thackeray, under the name of Ikey Solomons, Jun., to counteract the injurious influence of some popular fictions of that day, which made heroes of highwaymen and burglars, and created a false sympathy for the vicious and criminal....

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The basic thesis of the paradoxism: Every thing/ phenomenon/ idea has a meaning and a non-meaning in a contradictory harmony. The essence of the paradoxism: a) The NonSense has a Sense: (and reciprocally) b) The Sense has a NonSense. The subsequent development of the paradoxism: To generalize the literature in scientific spaces ( Lobacevski, Riemann, Banach etc.), n-dimensional and infinite-dimensional spaces too. Paradoxism’s delimitation from other avant-gardes: ♦ paradoxism has a significance while dadaism, lettrism, the absurd movement do not; ♦ paradoxism especially reveals the contradictions, the antinomies, the anti- theses, antagonism, nonconformism, the paradoxes in other words of anything ( in literature, art, science), while futurism, cubism, abstractism and all other avant-gardes do not. The motto of the paradoxism: All is possible, the impossible too! The symbol of the paradoxism: A spiral - optic illusion or vicious circle. ...

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Intelligent creator, Florentin Smarandache has accumulated in the while enough self conviction in matters of paradoxism and enough (non)life ( literary and publishing inclusive) experience in order to create a coherent volume, where nothing ( or almost) is put/let at random. After Introduction in the empire of error ( a manifesto of the paradoxism too, but covered with another... linguistic packing), the volume continues with a “short resume” about the ... terror/theory’s features of Smarandache’s (non)existence/existentialism. Then in the shape of prose texts or verses (it is risky to name them prose or poetry!) we learn essential data and information about the “becoming” of this (almost) exile in his own country...Palillula. As another Villon, in full postmodernism he lets his testament of a man who lives, confessing his ideological and literary “crimes”, but, especially giving nonliterary declarations about his murderers, which ground their existence on his nonexistence! Also among his memories we met -true nightmares of the author- the caricatural portraits of the previous leaders, lampoons worthy of an Arghezi....

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These ideas were either collected or inspired from author's various lectures of books, journals, newspapers, tv and radio shows, personal conversations. I started to write down such ideas since I was a high school student and continue even today - I always bear with me a small pen and small notebook where I write in the plane, or driving my car, or even in class room. Despite three decades of postponement, I hope this booklet will keep on inspiring the reader, as good ideas will always be worth to ponder....

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• Be competitive; • Don’t be panic, when under pressure; • Use probabilities (how much % you’re expected to produce); • Infiltrate in certain organizations; • To have power of influence; • Charm those who interact with you; • Be firm and fast in decisions; • To make a plan for a long period of time and subdivide it in smaller sub-plans for short periods of time...

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PREFACE ........................................ 3 CONTENTS......................................... 5 LIFE STRATEGIES 1. Best Tips for Life ...................................................... 6 2. Life Strategies in General Science..........................8 3. Life Strategies in Mathematics..............................11 4. Life Strategies in Medical Science .......................23 5. Life Strategies in Workplace & Social Life........28 6. Life Strategies in Personal Life .............................34 7. Life Strategies in General Arts .............................41 Appendix: Miscellaneous App.1. FS........................................ 54 App.2.American writing..............................................55 App3.The International Phonetic Alphabet.............67...

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A critical study of Ovid's Metamorphoses hyper-linked to the preceding translation.

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I The Golden Honeycomb II The Dual Paths of Art III The Structure of the Metamorphoses IV Ovid’s Interest in Myth V Nature,The Matrix VI The Power of the Gods VII The Nature of the Male Gods VIII The Nature of the Goddess IX Justice, Moderation, Order and Rights X Anger, Vengeance and Destiny XI Magic and Prophecy XII Fate and Error XIII Lust, Love, Sexuality and Betrayal XIV Loyalty and Marriage XV Pride and Vanity XVI Respect and Impiety XVII Crime and Punishment XVIII Ovid’s attitude to War and Violence XIX Tenderness, Pity, Pathos and Regret XX Ovid’s Civilised Values, the Sacred Other XXI The Later Influence of the Metamorphoses XXII The Wings of Daedalus...

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Introduction: There are few modern poems of any country so perfect in their kind as the ?Hermann and Dorothea? of Goethe. In clearness of characterization, in unity of tone, in the adjustment of background and foreground, in the conduct of the narrative, it conforms admirably to the strict canons of art; yet it preserves a freshness and spontaneity in its emotional appeal that are rare in works of so classical a perfection in form....

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Introduction: In several of the dialogues of Plato, doubts have arisen among his interpreters as to which of the various subjects discussed in them is the main thesis. The speakers have the freedom of conversation; no severe rules of art restrict them, and sometimes we are inclined to think, with one of the dramatis personae in the Theaetetus, that the digressions have the greater interest....

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Excerpt: Annajanska is frankly a bravura piece. The modern variety theatre demands for its ?turns? little plays called sketches, to last twenty minutes or so, and to enable some favorite performer to make a brief but dazzling appearance on some barely passable dramatic pretext. Miss Lillah McCarthy and I, as author and actress, have helped to make one another famous on many serious occasions, from Man and Superman to Androcles; and Mr. Charles Ricketts has not disdained to snatch moments from his painting and sculpture to design some wonderful dresses for us. We three unbent as Mrs Siddons, Sir Joshua Reynolds and Dr. Johnson might have unbent, to devise a turn for the Coliseum variety theatre. Not that we would set down the art of the variety theatre as something to be condescended to, or our own art as elephantine. We should rather crave indulgence as three novices fresh from the awful legitimacy of the highbrow theatre....

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Excerpt: Great George Street, Westminster, is the address of Doyle and Broadbent, civil engineers. On the threshold one reads that the firm consists of Mr. Lawrence Doyle and Mr. Thomas Broadbent, and that their rooms are on the first floor. Most of their rooms are private; for the partners, being bachelors and bosom friends, live there; and the door marked Private, next the clerks? office, is their domestic sitting room as well as their reception room for clients. Let me describe it briefly from the point of view of a sparrow on the window sill. The outer door is in the opposite wall, close to the right hand corner. Between this door and the left hand corner is a hatstand and a table consisting of large drawing boards on trestles, with plans, rolls of tracing paper, mathematical instruments and other draughtsman?s accessories on it. In the left hand wall is the fireplace, and the door of an inner room between the fireplace and our observant sparrow. Against the right hand wall is a filing cabinet, with a cupboard on it, and, nearer, a tall office desk and stool for one person. In the middle of the room a large double writing table ...

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Excerpt: ?Dearest Meg, ?It isn?t going to be what we expected. It is old and little, and altogether delightful--red brick. We can scarcely pack in as it is, and the dear knows what will happen when Paul (younger son) arrives tomorrow. From hall you go right or left into diningroom or drawing-room. Hall itself is practically a room. You open another door in it, and there are the stairs going up in a sort of tunnel to the first-floor. Three bed-rooms in a row there, and three attics in a row above. That isn?t all the house really, but it?s all that one notices--nine windows as you look up from the front garden....

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“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?” “We are dominated by journalism.... Journalism governs for ever and ever.” One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now. This compendium work - skilfully assembled by the editor, Stuart Mason - ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him. In contrast to th...

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Literature, Biography, Philosophy

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Excerpt: The Poetics of Aristotle translated by S. H. Butcher.

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Analysis of Contents I ?Imitation? the common principle of the Arts of Poetry. II The Objects of Imitation. III The Manner of Imitation. IV The Origin and Development of Poetry. V Definition of the Ludicrous, and a brief sketch of the rise of Comedy. VI Definition of Tragedy. VII The Plot must be a Whole. VIII The Plot must be a Unity. IX (Plot continued.) Dramatic Unity. X (Plot continued.) Definitions of Simple and Complex Plots. XI (Plot continued.) Reversal of the Situation, Recognition, and Tragic or disastrous Incident defined and explained. XII The ?quantitative parts? of Tragedy defined. XIII (Plot continued.) What constitutes Tragic Action. XIV (Plot continued.) The tragic emotions of pity and fear should spring out of the Plot itself. XV The element of Character in Tragedy....

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88 writers (in addition of folklore collections) from 23 countries with texts in 17 languages (English, Romanian, Bulgarian, Czech, Arabic, French, German, Hungarian, Tamil, Hindi, Indonesian, Hebrew, Italian, Urdu, Russian, Serbo-Croatian, Spanish) contributed poetry, essays, letters to the editor, arts, science, philosophy, short drama, short story, distichs, epigrams, aphorisms, translations, paradoxes, and folklore or found literature to the “Fifth international Anthology on Paradoxism”....

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An Ode to Fuzzy & Neutrosophic Logic and their Creators When everything seems a murky mess And you are forced to second guess The way you are headed when you’re going straight And whether you’re there on time ’cause early may be late! When your eyes start playing tricks – it’s neither night nor day But the magic hour; when you just can’t for sure say The white from the black as mostly all is grey Take a moment to close your eyes and thank Zadeh! For inventing a way to tell black from white and the big from the small When none knows for sure how black is black or how tall is tall! ’Cause when chance becomes a possibility, you know you sure can bet That you’re in one group or the other, ’cause you’re in a fuzzy set! ...

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INTERNATIONAL DIMENSION OF PARADOXISM 5 AUSTRALIA Sukanto BATTACHARYA 6 George ROCA 8 BULGARIA Albena TCHAMOVA & Maria NIKOLOVNA 11 CANADA Kane X. FAUCHER 18 Jason HALL 19 CZECH REPUBLIK [Internet] 21 EGYPT Salah OSMAN 22 FRANCE Iulia COJOCARU 29 Didier FLEURDIER 30 Nicole POTTIER 223 GERMANY Rüdiger HEINZE 38 Bernd HUTSCHENREUTER 39 HUNGARY [Internet] 42 INDIA Khrishna JAHAN 43 A. PRASAD 47 B. Venkateswara RAO 48 Hemant VINZE 50 INDONESIA Christianto VIC 51 ISRAEL Morel ABRAMOVICI & Zoltan TERNER 52 Muneer Jebreel KARAMA 53 ITALY Pino BORESTA 56 KAZAKHSTAN Vadim BYSTRITSKI 57 R. MOLDOVA Svetlana GARABAJI 58 NIGERIA Tolu OGUNLESI 62 PAKISTAN Abdul KHAN 63 ROMANIA Valeriu BUTULESCU 65 Valentin DASCĂ LU 75 Ina DELEAN 79 Dominic DIAMANT 81 Eugen EVU 82 Folclor 85 Constantin FROSIN 101 Andrei Dorian GHEORGHE 102 Mugur GROSU 103 Peter GRUCK 104 Gică HAGI 105 Eugen ILIŞ IU 106 Liviu Florian JIANU 107 Elisabeta KOCSIK 108 Adrian LESENCIUC 115 Victor MARTIN 122 Nicolae M. MAZILU 129 Constantin MĂ RCUŞ AN 131 Ionel MĂ RGINEANU 134 Cristian MIALA 135 Marian MIRESC...